TRASPARENZA - CODAworx

TRASPARENZA

Client

Location: Reno, NV, United States

Completion date: 2016

Artwork budget: $60,000

Project Team

Artist

Andrea Greenlees

Laser-cutting

Kevin Self

Zone Creations

Overview

Trasparenza is a totally transparent chapel-like structure resembling a sparkling crystal crown that might have adorned the head of a Botticelli Madonna. Twelve turreted triangular towers made entirely of clear acrylic panels, laser-cut with intricate detail, are assembled without the use of screws or nails, but with slots and dowels in the shape of fleurs de lys. From a distance a mysterious, shimmering and ethereal presence, up close the inner structure of the installation and the mechanics of its assembly are laid bare.

Goals

This is standalone artwork, independent of its surroundings and comfortable in an open setting. Its goal is to create a sense of wonder and to intrigue participants with its transparency and its intricate laser-cut imagery based on Leonardo da Vinci's works and the heraldic crests of 15th Century Florentine Master Guilds. Following its first install in the desert it was displayed in the Reno Playa Art Park for two years and subsequently shipped to the UK where it was rebuilt in the beautiful grounds of Ashton Court Park in Bristol where it can be enjoyed by families every day.

Process

The artist worked closely with a specialist design company in London, Zone Creations, to create the digital files for the panels, build test models, and laser-cut the entire installation before shipping to the US.

Additional Information

The laser-cut motifs on the inner walls symbolise Leonardo's lifelong preoccupations including geometry, architecture, engineering, mechanics, hydraulics, aerodynamics, geology, astronomy, anatomy and painting. The arched doorways feature inscriptions in Latin including the phrase 'SAPER VEDERE', meaning knowing how to see, which Leonardo referred to frequently in his notebooks. In its first iteration there was a sculpture at the centre of this Florentine folly - also entirely transparent - named 'Vitruvia' which explored the concept of 'Divina Proportione', using the body of a woman rather than a man. Visitors can sit inside the installation on clear acrylic benches to contemplate all the imagery and the structure.