CODAworx, the hub of the commissioned art economy, today announced the introduction of a standardized Commission Contract that clearly spells out the agreement between the entity commissioning a work of art and the artist or company hired to create the commission. The CODAworx Commission Contract, developed in digital form and available on the CODAworx website, provides a simple fill-in-the-blank format to detail the expectations and align the goals of both parties to the artwork commission.
Art in the Service of Life: How the Rosa Thay Nguyen Children’s Foundation and the ISEE Artists Gallery Make Positive Global Change
“Visual art, literature and music have always been important parts of my own creative expression,” says Elizabeth Nguyen-Espinoza. “But as a person who had experienced hardship as a child, I know that in order to be a fully creative person, our basic life needs have to be met – including good health. When I shared my ideas about starting a gallery as well as a foundation that would be part of making positive change in the lives of children, the artists in my community showed great interest and followed up with their support.”
The Invitation of Color and Illumination: Wagner Murray’s Architectural Transformations of Public Space
The strategic use of light, pattern, and color is key for Wagner Murray Architects as the firm embarks on transforming existing public areas into entirely new spatial events. “The emotional experience of human beings within an architectural space is what it’s really about.” says principle Dave Wagner. “It has to appear effortless. The public doesn’t have to know why they feel the way that they do; the architectural elements simply have to work together harmoniously to bring about the desired effect.”
CODAworx, the hub of the commissioned art economy, announced today that it will produce CODAsummit: The Intersection of Art, Technology and Place in Santa Fe, NM on September 20-21, 2018. The groundbreaking event will create a platform for conversation at this milestone moment in art history when technology is playing a key role in major commissioned artworks. CODAsummit will focus on this paradigm shift by featuring artists who are using technology to create placemaking commissions and the collaborations occurring between artists, designers, architects, scientists, and technologists.
Whether he is engraving inspired quotations onto the gleaming walls of a state capital, carving exquisite objects from marble for private gardens, or restoring historical statues that have succumbed to the forces of time, master stone carver Marcel Mächler’s craft requires patience and precision. “The physical intensity of carving stone is a real workout and the need to remain continually focused as the work proceeds is true mental exercise. No matter what your emotional state, you have to be totally present with the stone and the tools.” In an era when the traditional trades of maker-culture are fading, artist-craftsmen like Mächler seek to maintain a lived connection with the past. “Stone carving is perhaps the oldest of the arts. When I am working on a project I often think about all of the people who have come before me. Each of them had this special connection with stone.” The relationship of a stone carver to his materials is one of deep devotion.
The City of Greenville’s Senior Economic Development Project Manager, Tracy Ramseur, realized that there was a need to update a plaza at the busy intersection of Main and Augusta Streets. This plaza not only was a place for relaxation and outdoor dining, but it also served as a gateway between Main Street’s shopping and Falls Park, the city’s crown jewel.