Dresden Department of Culture and Monument Preservation
Free State of Saxony, Germany
Columbus Sister Cities International
Stephanie Dieckvoss, Art Historian, London
WildKat PR, Berlin
U.S. Embassy, Berlin
New York Foundation for the Arts
U.S. Consulate, Leipzig
For the 70th anniversary observance of the bombing of Dresden in WWII, the City of Dresden welcomed New York artist, Stuart Williams to install his project, “Breath of Life/Dresden” on the historic Dresden Cathedral Ss. Trinitatis. Williams transformed the facade with light... making the Cathedral appear to “breathe.” Waves of light, rising and falling at the pace of human breath, created the visual impression of respiration. Completed in 1738, the Dresden Cathedral is one of Dresden’s foremost landmarks. A light installation here, towering 275 feet above the heart of the city, became an artwork on the scale of the cityscape.
February 2015 marked the 70th anniversary of the bombing of Dresden. In the closing days of World War II, 3 days and nights of Allied bombing created a devastating firestorm which incinerated Dresden and suffocated its victims. A Baroque city of unparalleled architectural treasures — Florence on the Elbe — Dresden’s destruction was a profound loss to the cultural heritage of the whole world. The night of February 13, 2015, — exactly 70 years since the bombing began — 10,000 people formed a human-chain around the old city and the Cathedral as Williams’ “breathing” light installation soared above. As a key component of Dresden’s historic “silhouette,” the vision of one of Dresden’s greatest historic landmarks — destroyed in 1945, and painstakingly rebuilt in the 1980s — appearing to breathe, was profoundly moving. This highly visible public artwork linked two former adversaries from WWII — the most deadly war in human history — offering a breathing beacon of hope, and a compelling message for world peace. Said Williams, “as an artist, I see this project as a way of honoring the survival and renewal of one of Europe’s most beautiful cities. In the end, it becomes an affirmation of life itself.”
In 2011 Williams was commissioned to create a large scale outdoor installation in Columbus, Ohio. “Breath of Life/Columbus” was installed in 2012. During the planning process, Columbus Sister Cities International and Dresden Sister City Inc. commissioned Williams to travel to Dresden, Germany (sister city to Columbus) to research potential sites for a “sister installation” in Dresden. Working hand-in-hand with Dresden city officials and the provincial government of Saxony, Williams played a leading role in selecting the historic Dresden Cathedral Ss. Trinitatis as the project site. It took more than three years to obtain all necessary permits. Sponsors included: the City of Dresden, Dresden Sister City Inc., Columbus Sister Cities International, the U.S. Embassy in Berlin, and an anonymous foundation in New York, among many others. The artist hired lighting technicians from Coesfeld, Germany and a team of specialized installers (“climbers”) from Dresden to secure an array of energy-efficient, computer-controlled LED lighting fixtures onto the facade of the Cathedral. Working with a seven-person French film crew and a film director from New York, a documentary film on the project is currently in development. Williams developed his concept for simulating breath with light during a sabbatical in Paris in 2009.
Past shadows present in Germany, no more darkly than in Dresden. Sparked by the World War II firebombing of that royal Saxon city, Neo-Nazis rally there, making it a flashpoint of rising nationalism. One American artist, granted rare permission, uses the historic Dresden Cathedral as a monumental canvas to shine a luminous, breathing message of reconciliation. Can art help illuminate a path to peace? “Breath of Life/Dresden” was a Nominee for the 2015 Global Fine Art Awards. They called it “an emblematic artwork of timeless and far-reaching importance.” View all Williams’ work at www.stuartwilliamsart.com
Documentary Film in Development
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Art matters. Attention to the details of our environment leads to love of place, which brings us to take responsibility for the spaces where we live and work. And by extension, the people with whom we live and work. And by extension, to our local communities, our cities, our nations, and our world.
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