Six weeks ago in the art-conscious town of Santa Fe, NM, a somewhat eclectic group of technologists, architects, city planners, fabricators and artists of all persuasions got together to talk about the future of art and how it can transform public settings.
Given that southwest city’s affinity for all things creative, perhaps that’s not surprising – except the gathering of about 170 people from around the world revolved around CODAworx, a young Madison company.
Co-founded by serial entrepreneur Toni Sikes, CODAworx is becoming the Amazon of the commissioned art economy. By connecting artists and designers with opportunities that range from private building projects to public works of art to specialty commissions, CODAworx is matching talent and utilizing technology to streamline an often-complicated mating dance.
“I really think this is the most important thing I have ever done in my life,” said Sikes, who built other arts and publication companies in the past. “There has always been commissioned art, but there wasn’t an organized, tech-based way of bringing together the supply with those who had the demand. We’re the hub, the connectors, for all types of people within the industry.”
Second of a 3-part series on the business of art consulting by Peter Hite. In the first article of this series, we covered the basics of art consultants: who they are, why they matter to you as an artist, and how you can find compatible consulting firms. Remember that a single well-matched art consulting relationship will be much more fruitful than a dozen poorly matched ones—so don’t be afraid to spend time researching before you take any next steps.
Once you have put in the effort and identified several consultants who seem like a good fit, you, of course, have to actually reach out to them. The commissions won’t come to you unless the consultants respond to your emails or find you on CODAworx.
And that’s what we’ll be exploring today: how art consultants prefer to be contacted and how to make a memorable first (or second…or third…) impression.
She stands with one pair of arms outstretched, while a second pair arch gracefully behind her. She gathers up the streams of water flowing from the hem of her gown — or do they actually flow from her body? “Arria,’’ the colossal statue created for Cumbernauld, Scotland by sculptor Andy Scott, beautifully exemplifies this artist’s life-long commitment to the classical tradition of sculpture and to giving modern communities a taste of what their ancestors often took for granted: an awe-inspiring public statue that is also a comforting visual anchor in the landscape.
Tagged with: Andy Scott
, large-scale sculpture
, monumental sculpture
, Outdoor sculpture
, public art
, public sculpture
Posted in Freshest News
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